ALICJA PASZKIEL
EDUCATION
ING Summer School, mentors: Gosia Wdowik, Anna Nowicka (2024)
Academy of Fine Arts in Warsaw, studio of Prof. Roman Wozniak, PDP of Prof. Miroslaw Balka (master's degree, 2022)
Faculty of Architecture and Urban Planning, Warsaw University of Technology (engineer architect, 2019)
SELECTED PERFORMANCES
Museum of Modern Art in Warsaw (2025)
Warsaw Observatory of Culture (2025)
Performance Platform, Galeria Labirynt, Lublin (2024, 2023)
Teatr Studio, Warszawa (2022)
Goethe Institut, Warsaw (2022)
SELECTED SOLO EXHIBITIONS
Stories from the body, stories from the bed, Heart Exhib., Chmimelna 9, Warsaw (2024)
BRAGGA, Off Space, Iwicka 47, Warsaw (2022)
SELECTED GROUP EXHIBITIONS
22nd SURVIVAL Art Review, Brochow estate, Wroclaw (2024)
WGW, Crash Club, Bliska Pavilion, Warsaw (2023)
KIN, Milchhof Pavillon, Berlin (2023)
Appropriation, Pracownia Wschodnia, Pl. Hallera, Warsaw (2022)
First mass, then sculpture, Czapski Palace, Academy of Fine Arts, Warsaw (2021)
Fringe Warsaw, Naked Babies and Dolphins, PN Gallery, Brechta 17a, Warsaw (2022)
SELECTED VIDEO SHOWS
ING Polish Art Foundation Screen, ING Polish Art Foundation headquarters, 2 Pulawska St., Warsaw (2024)
Koyaanisquatsi Project, Teatr Studio/Plac Defilad Square, Warsaw (2022)
Videonews, Galeria Labirynt, Lublin (2021)
Kick off perfo, Galeria Ul, Gdansk (2021)
Scholarship holder of the Adam Mickiewicz Institute, resident of the ArtHouse program.
Co-founder of the Fringe Warsaw initiative.
PRESS
Karolina Plinta, Dominy, górniczki i cyrkowe misie. Performans w 2025 roku, SZUM, NR 52/2025
NN6T #164 listopad 2025, okładka oraz str. 2, 8
Intermedia artist and performer, a graduate of the Academy of Fine Arts in Warsaw.
She works with words, video material, sculpture, and both existing and created contexts. Her practice is concerned with the intersection of feminism, history, and economics. She is currently working on a project exploring dreams, desire, and the distribution of knowledge.
Her creative process consists largely of dispersed, multi-layered research, which she navigates through curiosity, pleasure, and surprise. During the creation process, she primarily reads and reflects. The outcomes of this process are seen as maps or tools that invite the audience to delve into her narrative. As an artist, she aims to seduce the audience to the extent that they allow themselves to be submerged in a deluge of indulgent content, or at least, to be guided through it on a scenic journey.