ALICJA PASZKIEL
The exhibition is built from stories and objects inspired by dreams, which the artist systematically collects in the form of an open archive. She sees this collection as the inverse of the classic book of dreams, used on the principle of injecting dreams and desires into binary definitions. The open archive of dreams is a rhizome, not a systematized structure. The artist is guided by the principle of the work of Korean anthropologist Heonik Kwon: let yourself be led by stories. Therefore, he sets the archive in motion. She calls the works, which are the faces of it, trial copies, so that the forms into which she weaves the stories do not become the end of them, so that they can continue to connect with each other, branch out and engage new threads. So that collective and individual experience can overlap and participate in the discourse of 'truth'.






The exhibition is built from stories and objects inspired by dreams, which the artist systematically collects in the form of an open archive. She sees this collection as the inverse of the classic book of dreams, used on the principle of injecting dreams and desires into binary definitions. The open archive of dreams is a rhizome, not a systematized structure. The artist is guided by the principle of the work of Korean anthropologist Heonik Kwon: let yourself be led by stories. Therefore, he sets the archive in motion. She calls the works, which are the faces of it, trial copies, so that the forms into which she weaves the stories do not become the end of them, so that they can continue to connect with each other, branch out and engage new threads. So that collective and individual experience can overlap and participate in the discourse of 'truth'.